Course Overview
Understanding the dynamics of sound design and use of sound as a key • Designing a sound track for animation including music, dialogue, voice overs, lip synch and FX • Recording and mixing multiple tracks • Post processing sound • Understanding the dynamics of camera moves and magnification • Experimenting with camera techniques and working directly under camera • Using registration fields, table moves and peg movements.
| Total Credits | 4.0 |
| Type | Theory |
| Lecture | 1.0 |
| Tutorial | 2.0 |
| Half Semester | N |
| Text Reference | 302225 Mascelli Joseph V, The Five C302222s of Cinematography: Motion Pictures Filming Techniques, Silman-James Press,U.S. (1 October 1998)302225 Daniel Arijon, Film Technique, Silman-James Press, 1st November 1991302225 David Sonnensch, Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema, Michael Wiese Production, 26th October 2001302225 David Lewis Yewdall, Practical Art of Motion Picture Sound, Second Edition Focal Press, 2003302225 Tomlinson Holman, Sound for Film and Television, Second Edition Focal Press, 2001. |
About Instructor
Prof. Mazhar Kamran
Not Enrolled
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